Course Director, NVQ4 Arts Management Programme,
Liverpool March 2004 – September 2005 |
Through careful management of recruitment, placements and curriculum, I raised the profile and
credibility of this course. Graduates have gone on to win arts jobs at respected institutions
including Tate Liverpool, FACT and the Bluecoat Arts Centre.
Each course required the students to work as a team to
deliver a "live" participatory arts project, while on placement with an arts and/or community
organisation. I worked with partner organisations to devise and supervise eight participatory
projects a year with forty students.
Amongst others, projects included:
Nothing Rhymes with
Poets
Placement with BBC Big Screen with a spoken word performance project. A "Talking
Heads" film of ten Merseyside poets was made and shown on the Liverpool BBC Big Screen over
2005. |
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Streetlife Placement with South Liverpool Housing
Group. Students organised a performance-based family event with associated activities and
workshops. |
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Made in Liverpool : Moving Images of Merseyside
Placement with the Liverpool Biennial of Art. A screening event and tour of short art films
made by Merseyside residents that reflected some aspect of living in the city. |

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This is not the only Version of You that Exists
Placement with the Bluecoat Arts Centre Connect Programme, touring an installation made by teenage girls, and evaluating the project. |
Black Screen Film Festival
Placement with Pidgin Productions, organising the delivery of the Festival.
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Royal Liverpool Philharmonic
Students undertook a research project into participation in the Philharmonic's Schools
Programme
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Manager of
Leeds Arts Arena, 2000 - 2002
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Implementation of my arts strategy for Leeds Library
& Information Service enabled several cross artform projects to take place. This gave
opportunities to regional artists and enabled communities across Leeds to benefit.
I also created and programmed two new exhibition spaces:
Tunnel Vision and The Underground Gallery (for text based work), giving Leeds and regional artists
the opportunity to show in a city centre venue. Exhibitions included, amongst others:
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Pixelism.org |
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Funny Shape,
Perfect for the Job, curated by Stephen Bayley |
Sky Corridor
- Andrea Thoma |
Otiose
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Farhenheit 451:
Leeds College of Art & Design degree show |
Parallel Lines
Managed "Parallel Lines" a Year of the Artist project
employing three writers to work in three community contexts to develop new work. This was
followed by a ten-date performance tour of their new work.
Leeds City Voice Festival 2001
Produced Leeds City Voice Festival of New Writing, a 10 -day
festival of live literature and providing a platform for emerging spoken word artists. John
Hegley and the last Beat poet Dick McBride headlined.
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The Writing Pad |
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Funded by Yorkshire Arts Board
(as it was), HMP Leeds and Leeds Libraries, I devised and managed a 12 month writing residency,
raising c£15k from Arts Council England, HMP Leeds and Leeds City Council. This created a prison magazine and gave inmates and staff the opportunity for creative self-expression through
creative writing over a sustained period. This project also enabled a significant paid
opportunity for a writer.
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Leeds Visual Arts Forum |

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Active member and hosted Art
Spotting debate in the Arts Arena. |
Traces of Five Millenia
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I developed and organised this project for the first Liverpool Biennial of Contemporary Art in 1999. An exhibition of Jewish artists work from all over the country, shown in the Hanover Gallery, Liverpool, it achieved good press coverage and was well received, giving Jewish artists a much-needed profile in a mainstream art event. |
The Women in the Community Conference |
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Taking place in November 1999, this conference was a follow up to the national conference that had taken place ten years earlier at the instigation of the Chief Rabbi. The second conference looked at changes to the position and status of Jewish women within the Orthodox community, and discussed ongoing issues via a panel of high profile speakers. A final resolution was passed and presented to the Chief Rabbi of Great Britain .
Working with the Women in the Community committee, I undertook much of the venue organisation, and contributed to the coherent administration of the conference.
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Contained Art, Liverpool Academy of Art |
I organised this exhibition in 1998, with artwork made in HMP Liverpool where I was teaching. It was a valuable opportunity for the inmates to show a more positive face to the world and their families, who came to the opening of the exhibition and gained from the experience.
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